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Baroque

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Saved by PBworks
on March 19, 2007 at 6:37:03 pm
 

 

The Baroque Era

Style                                                                                                                                                         

English Harpsichord

  • This is the period in which composers started to standardize the forms and styles of the music in which they wrote. Major and minor scales as well as homophonic writing emerged in this era.
  • The harpsichord is often used and instrumental music was written less for dancing and more for listening.
  • Many of the works are based on one rhythm and the tempo rarely changes.
  • Melodies were flowing and the lyrics were often filled with emotion.
  • The use of the basso continuo was common and important in this period. Harmonies were often improvised by the composer on the basso continuo.
  • These compositions rarely changed moods in the middle of the piece and they were based on one subject.

Composers                                                                                                                                                     Focus:

Johann Sebastian Bach

 

  • Interesting fact: The Beatles used influences from Bach's music in thier song writing.  
  • Bach wrote for the church and the worship of God. 
  • He never wrote opera in his carrer; he wrote for the harpsichord, string quartets and virtually every other Baroque form.
  • Bach spent his entire life in Germany, which limited the influence of international composers in his works
  • His father taught music and was a practicing musician: his entire family was involved with music in some way or another.
  • Bach earned a choral sholarship to a reputed choir school where he furthered his study of music
  • When playing organ for the church, Bach improvised organ passages. Many people disliked this style and complaned about the way he played.
  • Bach was inspired by Handel
  • After graduating from choir school and being a church organist, he became the court organist fo Duke Wilhelm Ernst.
  • During this time, he discovered his love for teaching and dedicated his life to teaching.
  • He was very experimental with instrumental music during the time he spent at Cothen.
  • He spent a number of years as a Cantor of Leipzig. By this time, he had 20 children.
  • He was buried in St. Johns Cemetary in 1750.

 

Other Composers include...

  • Claudio Monteverdi
  • Jean Baptiste Lully
  • Arcangelo Corell
  • Henry Purce
  • Antonio Vivaldi

 

Listening Logs!!!

 

Concerto in D minor

By: Vivaldi

 

Musical:

~Violin, viola, cello, oboe, clarinet, bassoon, harpsichord, and flute-like instrument

~Andante

~ Well defined meter

~Duple, 4/4

~Polyphonic

~Melody often passed around orchestra

~Forte

~in D minor

~ABCA

 

Structure:

Section A 0:00-0:40

~Starts with a forte note with the whole orchestra

~melody gets passed around from flute and bassoon, to clarinet, then violin until full orchestra accents the melody

~Forte

Section B 0:41-1:47

~With other strings in harpsichord in background, the first and second violin passed around the melody

~Strings then continue with the melody, with the 1st and 2nd violins in the lead

~1st and 2nd violin pick up with passing around the melody again

Section C 1:48-2:10

~This section is very similar to Section A, except it has a slight variation =

~Uses the winds and the strings

~Forte

Section A 2:11-2:39

~Uses full orchestra

~uses same theme, but decrescendos and crescendos

~once more repeats them, until a retardando conclusion

Context

~Vivaldi

~Baroque period

 

Concerto in D minor (Largo e spiccato)

 

By: Vivaldi

 

Musical

~Strings,(violin, viola, cello), harpsichord

~Andante

~ABA

~Triple meter, ¾

~In D minor

~well defined theme

 

Structure

Section A 0:00-0:19

~Definition of theme

~All instruments violin, viola, cello, and harpsichord

~strings used for melody, harpsichord mostly used for ornamentation

~mf

Section B 0:20-1:47

~Violin solo has melody

~other strings provide rhythm with quarter notes

~mf

~2nd theme defined, repeated several times

~no real change when theme is repeated

Section A 1:48-2:14

~All strings and harpsichord play

~Exactly the same as the first section A

~Has a retardando into the conclusion

 

Context

Vivaldi

Baroque period

 

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